Upcoming shows

Friday December 17, 7pm
The German Art Students and BingBong
Bos Mead Hall, 849 East Washington Ave, Madison
BingBong and The German Art students are (finally) doing a release show for our split 7" vinyl recording featuring the Hard Rock/Punk Performer of the Year, German Art Student's song "In Search Of” and BingBong's MAMA Song of the Year “Faces." Each band will alternate 2 mini-sets and will flip a coin to see who performs first. Dan says it’s for “fun,” not a battle of the bands. Hmmmm…come see for yourself. GAS is pretty damn competitive:-)
$10 suggested donation. More details here: https://fb.me/e/1R7zdSCTR
Wednesday February 2, 7pm
The German Art Students and Moonboot
The Bur Oak, 2262 Winnebago St, Madison
This will be Moonboot’s debut show! Indie rock featuring members of Oak Street Ramblers, Brother Rye, The Rusty Hearts, Tongue. And GAS continues to be, as Andy Moore wrote in Isthmus a while back, "subversive and slapstick at the same time, providing post-punk, Mad magazine-esque music to the world. Rolling Stone called it 'nimble-witted new-wave pop.'”
$10 advance/$12 day of show. Buy advance tickets here: https://theburoakmadison.com/shows/german-art-students-moonboot
And, as alluded to above, GAS won some awards from Madison Area Music Association again this year:
Hard Rock/Punk Performer of the Year
Hard Rock/Punk Song of the Year: Bands Playing For Other Bands
Bass Player of the Year: Annelies Howell

Because nobody Hard Rocks/Punks better than us, amirite?

Love,

GAS
@GASRocks (Twitter)
http://www.germanartstudents.com
https://gasrocks.bandcamp.com

The German Art Students Are Still Here!

It’s exciting to announce that we have three shows lined up for the summer. Kirk is taking a hiatus from the band, so our lineup for the summer is a trio configuration of Andy, Annelies, and Randy. Annelies is taking her role as guitar hero seriously and has been turning the amp WAY UP during our rehearsals, so that’s been a blast! It’s a smidge different sound than the quad-GAS, an Ethel Merman belt away from the Kirk-Annelies-Randy trio, but pure German Art Students!

  • Friday, August 13
  • The Sessions at McPike Park
  • Main Stage: Chuck Prophet 8:30pm; Bonnie Whitmore 6:30pm; The German Art Students 5:00pm
  • Tent Stage: Howler (between main stage sets)
  • In the heart of Madison’s isthmus – formerly known as Central Park
  • https://sessionsatmcpike.org/schedule


Don’t forget about the new EP that came out at the beginning of the pandemic.https://gasrocks.bandcamp.com/album/rest-area-relief


Love,

GAS


More Madison albums and EPs that stood out in 2020

Tone Madison included GAS in their roundup of 2020 standout recordings:

Any band that exists for as long as The German Art Students have is bound to go through changes, but all that time has also given this Madison power-pop outfit a high level of control over their craft. Rest Area Relief, an EP partially inspired by less-than-glorious touring experiences, sees The German Art Students occupying a place of invigoration that pays a good deal of dividends. Irreverent and charming to the end, Rest Area Relief is a solid reminder of the band’s appeal. —Steven Spoerl

German Art Students turn EP release party into a fundraiser for service workers

By Joshua Miller | Special to the Cap Times |Apr 17, 2020

Madison-based band the German Art Students had hoped to celebrate the release of their new EP “Rest Area Relief,” their first release in three years, with a show at Kiki’s House of Righteous Music. However, those and other plans to perform have screeched to halt due to the COVID-19 pandemic.

“When we weren’t able to do that anymore, we had a band discussion about if we should still release the music or wait,” drummer Randy Ballwahn said. “There was some discussion about, Well, is it disrespectful for us to be ‘celebrating’ the release of the music when people are having hard times and we’re not sure what’s going to happen in the future?

“And then there was also discussion that, well, this is kind of the time when people need music, and they’re kind of searching for art and music and other things as kind of a distraction, or a way to help get them through hard times. And are we really doing anyone a service by withholding this music that we’ve put together?

“Because people seem to enjoy what we do, and why not put it out there? So that’s what we decided to do.”

So, “Rest Area Relief” is available to stream and purchase at the band’s website

The quartet — which also features singer/bass player Andy Larson, singer/guitarist Annelies Howell and guitarist Kirk Wall — is also using their music as a thank you to those that have supported them over the past 23 years. Online proceeds from the EP and the rest of the band’s catalog will go towards supporting service workers in Madison.

“We decided, yeah, let’s put this music out there, but let’s use it to do what we can to support people who aren’t able to work right now, which is a lot of the people that work in the venues that we would be playing, bartenders, sound people, and things like that,” said Ballwahn, who works a day job at UW Family Medicine & Community Health.

“It’s a very small part, not going to help anyone pay the rent probably, but at least we can do something with the music to help support the people that aren’t able to continue working at this time…And probably if and when we’re able to start playing shows again, we’ll probably donate that money to relief funds as well.”

For example, the band donated the first week of EP presales to the Harmony Bar, where they were scheduled to play on April 11.

“It wasn’t a ton of money, but I think they were appreciative of getting that,” Ballwahn said. “We’ve gotten to know a lot of the people that work at the bars and clubs around town over the years, so it’s an important to us that they’re able to at least make ends meet and try and survive when they’re not able to do what they normally do.”

Rest Area Relief’s inspiration is far from the recent social distancing way of living. The EPs title and songs such as “Broke Motel” and “Bands Playing For Other Bands” were inspired by a mini road trip the band took a couple years ago. The EP offers a lively and engaging mix of new wave, power pop, and punk rock.

“We did shows in Lawrence, Kansas, Iowa City and Des Moines,” Ballwahn said. “Some interesting and odd things happened for this long weekend when we were kind of on this mini tour. It’s just kind of about being on the road. So, when you’re on the road, rest areas are a little oasis.”

The collection continues the collaborative spirit of the band, with each member getting their chance to shine.

For example, “Percussion We Don’t Use” is an in-joke that Ballwahn likes to tell others as the band’s drummer. “I would just say, ‘I just don’t do cowbell,’” he said. “’I’m not going to put a cowbell on here, or China cymbal, or whatever it may be.’”

Meanwhile, “In Search Of” is a song inspired by the ‘70s Leonard Nimoy hosted show of the same name. Larson had always wanted to write a song about Nimoy. “The show was about odd things like the Bermuda Triangle and Bigfoot and kind of odd mysteries of the time,” Ballwahn said.

The band recorded the EP with the help of garage-rock legend Bobby Hussy at Hex Empire Studios. They had a lot of respect for Hussy after playing shows with The Hussy and some of his other projects.

“We’re mostly known for our live shows, and we kind of thought working with Bobby would kind of capture that a little bit. He’s kind of known for his garage rock attitude,” Ballwahn said. “I think it’s a little more raw than we have sounded on recordings before, but really, really good sounding. And I think it kind of captured a little bit of the live spirit of German Art Students.”

Ballwahn is thankful that the band is going strong after 23 years together.

“It’s kind of nice not to have to worry about whether we’re the exact same thing that we were 15 years ago, or 20 years ago, or five years ago,” he said. “I think we kind of roll with the punches, and we’re just evolving with whatever situations come up as they come up.”

The German Art Students make an EP that’s mostly about being in a band

Here’s a Tone Madison story from April 2020 written by Scott Gordon:

“Rest Area Relief” puts a raw edge on the longtime Madison band’s witty power-pop.

Photo: From left to right, The German Art Students are Kirk Wall, Randy Ballwahn, Annelies Howell, and Andy Larson. Photo by James Pedersen.

The German Art Students have spent 23 years having a sense of humor about dozens of things: figure skating, old-timey bicycles, astronomy, vampires, typography, and so on. The Madison band takes a lot of care to craft bright and barbed power-pop songs, but doesn’t wrote unreservedly serious ones. The rare exceptions catch listeners off-guard, especially 2011’s “The Power And The Trust,” a sad reflection on the empty inner life of a crummy politician.

The four members—drummer Randy Ballwahn, guitarist/vocalist Annelies Howell, bassist/vocalist Andy Larson, and guitarist/vocalist Kirk Wall—have also developed a sense of humor about simply being in a band, and that’s what powers most of their newly released EP, Rest Area Relief. Three of the EP’s four songs grew out of a short tour The German Art Students took in 2017 through Iowa and then Kansas. Some shows were successful, some were a bust, some bills were with random bands that made sense, some with random bands that didn’t. One motel stay went very badly, but otherwise the four longtime friends and bandmates came home with good memories.

The ups and downs might have been a little harder on younger musicians without their experience, or on a more career-minded band. “We have the perspective that when we do these things we’re not really in it to make money, we just kind of think, ‘Oh, yeah, this will be a fun thing to do. We’ll go play these cities that we haven’t played in forever,’ and we just have fun doing the playing and hanging out and the adventure of it,” Ballwahn says. Despite that easygoing and wise attitude, the EP has a sharp bite to it. That’s thanks in part to the engineering and mixing work of Bobby Hussy, who recorded the sessions at his Madison studio and was well-equipped to capture the raw immediacy of their live sets.

Even though GAS has never been a hard-touring outfit, they capture the fatigue and disappointment musicians can experience on the road with the EP’s closing track, “Bands Playing For Other Bands.” There’s all kinds of ways a song about how no one showed up to your gig could go wrong and leave a bad taste in people’s mouths. This one steers clear of bitterness and self-pity, using the band’s humor and perspective to paint a picture of inverted glory: “The crowd fills with no one / Beer tickets for four / More people on the guest list / Than paid at the door,” Larson and Howell shout over the sweeping power chords of the chorus. 

Howell sings the verses over mournfully ringing guitars, maybe taking a cue from Bob Seger’s great tour-weary anthem “Turn The Page.” But the imagery here plays up the absurdity and smallness of the situation: “Bass cabinet measures 100 watts / Guitarist is cracking, poppin’ dirty pots / The amplifiers are real big and loud / But they’re bigger than us, so we’re not that proud / Facebook ‘interesteds’ forsaking me / Analytics, demographics don’t mean a thing / How can we tempt some middle-aged fans? / We’ll play for next to no one ’cause we’re bands playing for other bands.”

Of course, Howell admits there was a time when all the frustrations of playing live were tougher to cope with. “These guys could tell you at least a half-dozen stories of me bawling in the basement of The Klinic, bawling at O’Cayz, bawling at I don’t even remember what bar, because we’re supposed to play third and it’s 1:30 in the morning and Andy and I had to teach the next day,” Howell says. “But we love playing and as we’ve progressed, it’s like, that’s just part of it. You just have to take your lumps. You don’t know what every show’s going to be and that’s part of what makes it fun. Sometimes it’s amazing, sometimes you’re waiting for the next band to maybe not extend their set super-long.”

“Broke Motel” practically delights in the degradations of touring life, with a true story of the night the band spent in Lawrence, Kansas. In short, a pipe exploded in the middle of the night, flooding the two rooms the bandmates were splitting. 

“I’ll never be able to erase from my mind Kirk running over to a sink that was erupting in brown filth in a little motel in Lawrence, and then they’re like, ‘Oh, we’re so sorry, we’ll move you to the bridal suite,’ and then it was hotter than hell,” Larson says. The song turns this nightmare into an almost gleefully swinging chorus: “Where is the bridal suite in this broke motel ? / Brown water on my feet and I’m! In! Hell!” 

The magic of early GAS songs like “Civil War Reenactor” and “Bjorn Borg” isn’t necessarily that they try to say anything new or profound about those subjects, even though there’s a sly perspective at work. It’s that we think about such things all the time—iIf you didn’t think specifically about greycoats or a former tennis champion today, then surely some other peripheral oddity crossed your mind at some point—and it’s good to know that we share that in common with other people, especially if they can process our mental marginalia into witty and catchy songs. 

Rest Area Relief‘s opening track, “In Search Of,” captures the allure of strange or just plain silly ideas. Taking its title from the late-70s TV show that Leonard Nimoy hosted, the song riffs on theories from ancient alien astronauts to yetis to ESP to ghosts, all leading back to a chorus of “I wanna believe what’s on my TV screen.” Howell provides a whirring guitar hook that uses a cheap vibrato pedal to emulate an eerie yet chintzy theremin, hearkening back to a time when fringe obsessions didn’t feel quite so menacing. Conspiracy theories and the like have always had an unseemly side, promoting racism and extreme ideologies, but today we’re awash in them like never before, and they metastasize into destructive real-world action at alarming speed. “One of the things I say to kids sometimes is that before Facebook and before all the weird shit on the internet, I remember reading the National Inquirer and the different sections of the newspaper and the obituaries, and then there were these shows, like Ripley’s Believe It Or Not and In Search Of,” Howell says. “People have a thirst for that and a curiosity, and it demonstrates in different ways.” 

Most of the lyrics on the EP came from all four members just riffing on their experiences and fixations together. There’s no one dominant songwriter in the band, and when one member comes in with an idea, they all flesh it out with a process that sounds a bit like that of a comedy writers’ room. “We’re all writing it together, and Annelies and Kirk and I and Randy, we’re throwing words on a page and shouting at each other and talking over each other,” is how Larson describes it.

Their collective gift for band-specific in-jokes is at its peak on “Percussion We Don’t Use.” Larson came in with a bass part and a few stream-of-consciousness lyrics. Wall, Howell, and Ballwahn helped Larson flesh it out into a furious rant about excess gear, starting with “You got a rainstick and an egg shaker / You got roto-toms and a noise-maker.” At first I thought the song might reflect the rest of the band ganging up on Ballwahn, but the drummer denies this: “I’m the kind of drummer that likes a really basic kit. I’m not into that other stuff. I played in an orchestra in high school and everything, and I played all that stuff, but I’m in a punk-rock, power-pop band now.”

In any case, “Percussion We Don’t Use” might be the most purely angry song The German Art Students have ever recorded. Larson tried to approach his lead vocal performance with the vehemence of an ’80s punk-rocker denouncing Reagan. The fury is convincing, even though he’s transferring it onto inanimate objects: “What’s with that big gong that you don’t hit / Why’d you waste all that money on that shit?” 

The band had to cancel the release show for Rest Area Relief due to the COVID-19 pandemic. They’ll be using money from sales on Bandcamp to support the staff of some currently shuttered local venues, including the Harmony Bar and Mickey’s Tavern. While the band members are holed up, they’ll be recording separate parts for a planned entry in the next NPR Tiny Desk contest, which may depict tiny band members performing atop a hand-drawn desk.

New EP -Benefit for Service Workers

Cover Art

The German Art Students have new music! You can pre-order our new EP, Rest Area Relief, right now at https://gasrocks.bandcamp.com/album/rest-area-relief

By pre-ordering you will be able to download or stream “Percussion We Don’t Use” now, and the full EP will be released on April 17.

We are donating all proceeds from the sale of this EP, and from any online sales of our entire catalog for the foreseeable future, to benefit service workers from the Madison area. We love the bartenders, bookers, sound people, and others who make live music in Madison possible and we want to make sure they get some support during these times of closed bars and canceled shows.

If you haven’t done so yet, check out the Madison Virtual Tip Jar to help directly.

Rest Area Relief was recorded by garage-rock legend Bobby Hussy at his Hex Empire Studios in Madison. It includes 4 off-kilter tracks in search of 70’s mysteries, life on the road, and why the hell anyone would want a gong in their drum kit.

Thank you for all your support over the last 23 years!

Love,

GAS

Townies…or Mockers? Behind the Scenes!

Our new slogan, courtesy of Madison Magazine: “Sporadically filling Madison bars for 22 years.”

You can join the ranks of sporadic fans Friday 9/13 5-7pm FREE at High Noon Saloon.

https://www.channel3000.com/…/townie-punk-band-i…/1119142383

Despite being referred to with the awkward acronym TGAS instead of our preferred shorthand of GAS, we had some fun with this interview and article. We have made peace with the fact that our indie cred is totally shot now (if it wasn’t already).

But one of the most interesting aspects of the article was the behind-the-scenes fact-checker email we got. Here it is (you’ll notice they didn’t use the information about a good crowd in Lawrence:-):

‘m a fact-checker with Madison Magazine and I have some follow-up questions regarding a short piece we’re publishing about The German Art Students. Would you be able to email me the answers to the following questions by Wednesday, July 3? (Short answers are fine. This is just to verify what the reporter wrote.)
  • What year did The German Art Students form? (The writer says you’ve been a band for 26 years?) Andy and Kirk started the band in 1997. Annelies joined in early 1998, and I joined later in 1998. So not 26 years, but a long time ago.
  • Can you confirm the names/spelling and instruments for the band members? Andy Larson (bassist), Randy Ballwahn (drummer), Annelies Howell (guitar), and Kirk Wall (guitar) All correct.
  • On a mini Midwest tour in 2018, did you play nearly empty venues in Lawrence, Kansas and Des Moines? The venue in Lawrence was actually a pretty good crowd, but the shows in Iowa City and Des Moines were nearly empty.
  • Would you say that at those shows there were more people on the guest list than paid at the door? We can’t prove that was true, but yes, that is how we described it in our song “Bands Playing For Other Bands.”
  • Are you recording a 6-song EP this summer? Turns out it’s going to be more like 4 songs. We will begin recording late in July at Bobby Hussy’s studio.
  • Will the songs “Bands Playing for Other Bands” and “Percussion We Don’t Use” be on the EP? Yes
  • Is “Bands Playing for Other Bands” a “love letter to fellow Madison musicians”? Any musicians, not just Madison.
  • Did you open for The B-52s at the Orpheum in June 2018? Yes, it was a blast.
  • Is your band compared to They Might Be Giants, Buzzcocks, The Ramones, and The Rezillos? Yes, we have been compared to or inspired by all of those bands.
  • Was your music previously described as “new wave?” Rolling Stone magazine referred to our music as “nimble-witted New Wave pop” and The Onion referred to us as “new-wave weirdos.” See attachments.
  • RS Nimble Witted.jpeg

Onion New Wave Wierdos.jpg

  • Did Kirk used to wear turtlenecks during shows? When we started out, we all wore black turtlenecks (or sometimes scoop necks). It was kind of our “art student” schtick.
  • Would you say that you’re “mockers” (combination of mod and rocker)? This is an inside joke. It’s a reference to a famous quote by Paul McCartney. Do you prefer mods or rockers? “I prefer Mockers.” This was made famous in A Hard Days Night as a line by Ringo. See the video at this link. https://www.youtube.com/watch?v=j9e6zHA6eOY
  • Is your song “Robots in Raincoats” a song about the downsides of rushing technology into production too soon? That is certainly a valid interpretation.
  • Is “Instant Coffee” about unhealthy compromises people make on a daily basis? Another valid interpretation, although I would remove the word unhealthy and just say compromises.

Here is the full article:

Townie punk band is working on a new EP of ironic songs

by Joel Patenaude Madison Magazine Sept 13, 2019

Photo by DJ Hostetler

Despite sporadically filling Madison bars with fans of their high-energy punk-rock sound for 22 years, The German Art Students are not well-known outside of town. That became clear on a mini Midwest tour last year when they found themselves playing nearly empty venues in Iowa City and Des Moines, Iowa.

Despite advance publicity for the shows, few people turned out who weren’t members of the other bands on the bills. “There were often more people on the guest list than paid at the door,” bassist Andy Larson says.

So, true to form, the band wrote a self-deprecating song about it. “Bands Playing for Other Bands” will be one of four songs recorded this summer on an EP by The German Art Students. Another song to expect on the record is titled “Percussion We Don’t Use.”

The band did return triumphantly from that regional tour to open a packed June 2018 show at the Orpheum Theater by The B-52s – a band to which TGAS is often compared.

TGAS doesn’t mind being mentioned in the same breath as They Might Be Giants, Buzzcocks and The Ramones. Descriptions of TGAS being “new wave” date back to the early days when the band’s music still included keyboards.

The band also long ago abandoned the pretense that they were actually German art students.

“Kirk stopped wearing the turtleneck after like two shows,” says guitarist and vocalist Annelies Howell about lead guitarist Kirk Wall.

Howell says a better representation of the band’s ethos is found in The Beatles’ 1964 film “A Hard Day’s Night.” In one scene, a member of the press asks drummer Ringo Starr, “Are you a mod or a rocker?” Ringo answers, “I’m a mocker.”

“So that’s us,” Howell says. “We’re definitely mockers.”

TGAS drummer Randy Ballwahn acknowledges “irony is another language we speak.” While the band’s songs tend to be silly on the surface, he says they can be understood on two levels.

For instance, “Robots in Raincoats.” In addition to being a funny image, the song is about the downsides of rushing new technology into production too soon. Another song, “Instant Coffee,” is a litany of compromises many of us make on a daily basis. Both songs are on the 2014 CD “Time Machine,” the band’s most recent release.

TGAS is an enduring pursuit made possible by the band members’ real jobs. Wall is a graphic designer for a sign shop and Ballwahn does regulatory compliance for the University of Wisconsin-Madison Department of Family Medicine and Community Health. At Verona High School, Larson teaches history and Howell teaches math and physics.

Larson and Howell share their passion for music in their classrooms by teaching the history of rock and roll (Larson) and coaching student musicians in a project on the 1969 Woodstock music festival (Howell).

However, their primary creative outlet remains TGAS. The group ruled out alternative activities – such as bowling, model railroading or playing Dungeons & Dragons – long ago.

“I just tell people that guitar strings are cheaper,” Wall says.

The GAS 20th Anniversary self-interview

Origins of the Band

Andy: I really think it started with “What About Bob.” A dog, a log, a frog…word associations. I really believe it could have been “Stripes.” I think it could have been anything Bill Murray. Because all of those things Kirk and I thought were funny, and we would just repeat all the time these, just dumb jokes from movies that we’d watch, that spawned a new band in 96-’97.

Kirk: Yes, that’s right.

Andy: Yeah, Danger Prone Daphne broke up because Kirk was having a baby, Chris Bell (drummer) was leaving, and I was going to Minnesota to be a teacher, so the whole band imploded. And I only lasted a year up in Minnesota because it was too cold and my dad got sick so I had to come back. And I had nothing to do.

Kirk: I’d say it was about a year and a half after we folded. So Danger Prone Daphne ended like in August ’95, and I want to say it was around March, April of ’97.

Andy: It was right when Kirk sort of emerged from having his son Judson, and it was kinda fun to come over and see Judson and play guitars with Kirk and it was funny.

First Songs

Randy: After “What about Bob” references and everything, what were your first ideas?

Andy and Kirk (simultaneously): Shitty Directions

Andy: I was following Archers of Loaf on one of their tours, and I was with a friend of mine named John, and we were driving across Canada, you know, four or five Archers of Loaf shows. And I was like “Man, I’ve got this idea, I want to write a song about shitty directions and it came to me in the car. And I wanted to share it with Kirk, and then Kirk had the idea to write Civil War Reenactor, was that the second one, Kirk, or was that a little bit later?

Kirk: I think that one came later. I’m trying to think of the three song demo.

Randy: I remember you talking about Love In The Alps with the drum machine.

Andy: We had that, but it was not second, it was like fourth or fifth.

Kirk: No that was not second. I wanna say Community Service Song.

Andy: Yes it was, because we thought it was just rich as hell to work in EST from “Stripes.” We like John Candy.

Kirk: It was like a mixture of self-help and ridiculing the heroin chic. Which is funny because I remember the Dandy Warhols were doing the exact same thing, So it was kind of like everyone was getting fed up with the heroin chic. I think that’s where that came from.

Andy: And I know that later when Annelies joined the band, I think she worked in that line about ambrosia. About finding the goldmine of plastic needle boxes.

Kirk: That was perfect.

Andy: And I think that when she said that in practice I knew that Annelies was a keeper. We also had Disgruntled Figure Skating Judge that we wrote with our first drummer, John Argue.

Kirk: We weren’t like rushing to have songs done, so our first real show was like August of ’97, and we only had like 7 songs. And one of them was a Beatles cover from their first album. What song was that?

Andy: See now I don’t remember what the hell he’s talking about.

Kirk: We did a Beatles cover (sings falsetto) “She Loves You.”

Andy: No way. I do not believe that for a minute.

Kirk: You don’t? We did it!

Andy: It’s gone. It’s like not in my brain. I remember a rejected song called “Stalking Edgar Bennett.”

Annelies Joins

Andy: Annelies and I were at a party, or at several parties where we were always hanging out. And I just one time said to her, “Hey, I think you ought to just come over and play guitar with me and Kirk and John Argue.”

Kirk: (dumb-guy voice) “Hey, do you know how to jam?” Did you say it like that?

Andy: No. It wasn’t like that was it? I already knew she could jam. So I said come on over, that’s my perspective. I think she might say something different.

Annelies: You were really inebriated every time you mentioned it. So I couldn’t tell if you were serious. I was like “yay,” because I had gone to college in Madison, and I wanted to stay in Madison, but I had lost all my friends. And so first of all I was so excited I got a job somewhere where the teachers were cool, there were a lot of young people and it was cool. And then I met you guys and started hanging out at the Golden Throne (basement lounge of former DPD guitarist/singer Mike White). I was like “yay, I have some friends!” And then when you were like “join my band.” I was like “no way this is for real.”

Andy: Yeah, people don’t take me at face value, C’mon. They don’t believe my ideas. I just have to push harder.

Annelies: Well, if you’d asked me after two beers instead of ten I would have believed you faster.

Randy Joins

Randy: I went the first show, I believe it was Annelies’ first show, before I joined.

Kirk: April 20, 1998.

Randy: And you were so nervous.

Annelies: Oh yeah, I was so nervous. I was sooo nervous.

Andy: And how did you come to that show though Randy. What was going on with you?

Randy: Well, I think you and I were kind of hanging out a little bit, because you were recently divorced and I had left WORT at that time, and we were both going to shows and would see each other, and we hung out. And so you had been telling me you gotta come see my band. And so I did, and you were awesome. Just the songs and the sense of humor was very much aligned with my sense of humor. I like rock and roll that doesn’t take itself too seriously and it was fun. I think you had said that John was moving out of town and you might be looking for a drummer.

Andy: We were. I think Kirk and I had talked about it, and we knew you played. We wanted to roll man.

Randy: And I was ready. I had kind of given up my radio thing, and I had played drums in high school and college. When I was going for the radio career I didn’t really play at all. And then I didn’t have the radio thing anymore, so it’s like yeah, I have to start playing drums again. So that was good timing.

Kirk: I wanna say that was like May when we played a party at Rob and Kristie’s house. Almost a month after Annelies’ first show. That was like your coming out party.

Memories

Andy: Some of those memories from those early days is like my five-year-old years, like when I was a kindergartener. I literally can’t remember the shows. Like I can have these flash movies of being at O’Cayz and how smoky it was, but I don’t remember the set lists. There’s so much I don’t remember. But, I remember playing with these women who were in these like fire pants.

Randy: Starball (pronounced Schtar – ball).

Annelies & Kirk (simultaneously): And the Sheila Divine.

Kirk: From Chicago

Andy: I was like, man, those are some hot pants. But I don’t remember anything else.

Randy: There’s this thing that’s been making the social media rounds. The last two years of O’Cayz schedule is archived – a list of all the shows. I remember playing with Half-Japanese and the Poster Children, but we played seven shows in a year at O’Cayz and it’s like, oh yeah, I guess we used to play more often.

Andy: And back then it was easier to get a show there. You’d go down, Cathy would be booking on Friday afternoon. You could walk into the bar at four o’clock. She’d be with her book and her phone, and she’d say OK, yeah, we can give you here or here or there. It was such a different world back then. So different.

Kirk: Let’s talk about Luther’s Blues. I like that they would put a case of Pabst for the opening performer.

Andy: How did you like that you got $50 on a night when they probably made $2000 at the door for the Jonathan Richman show?

Annelies: That wasn’t Luther’s Blues that did that though.

Andy: No it wasn’t. Jonathan Richman and the Tag experience. I got a bad taste from that show. I remember Jonathan Richman kind of looking at me while I was walking out of that room and he was kind of like “Yeah, it’s OK, bye bye. Bye bye Art Student.” He didn’t say much to us.

Randy: That’s too bad because I always loved Jonathan Richman.

Andy: I still do, it’s just that…

Randy: Don’t meet your idols.

Kirk: (thinking of questions we should have asked Jonathan Richman) Could you play Pablo Picasso? Just say one line from it…

Andy: How was Something About Mary? Was that OK?

Kirk: Was craft services good on that one?

Andy: One of our best paid gigs was at the student union in Eau Claire. We were getting $1000 over three nights. And we were going to watch A View To A Kill. And we had no way back in those days to watch A View To A Kill, because they didn’t have like video that you could download at the time. So I said I have a way to solve this. I’ve got a little TV and I’ve got a little VCR, and damn it, we’re gonna watch A View To A Kill after the show.

Kirk: That was weird. It was like a Friday night.

Randy: At the Super 8 in Eau Claire.

Andy: It will be great, we’ll just carry it into the hotel. It will be perfect. And we watched the movie and we all fell asleep. But the hotel people looked at us weird as we were hauling in the video equipment, three men and a woman.

Randy: I think those shows paid for Kissing By The Superconductor.

Annelies: Yeah, they did.

Kirk: I can’t believe, we played for like 10 people.

Randy: It was like a revolving 10 people. We may have played for 100 people, but there were only 10 there at a time.

Andy: It just triggered a memory though. There were hot towels. There was a side stage with clean towels. And we went into the green room, I remember, and we toweled off and came back and played an encore. Do you remember that? OK, we’ll play one more!

Randy: That was a Thursday/Friday/Saturday, so we went up, played on Thursday, all came back. Then we went back up on Friday and stayed overnight.

Annelies: So we worked, we taught school, drove to Eau Claire, played a show, came home, taught school. That’s where I’m just like, really?! How about the show in Champaign?

Andy: Driving home from that was blurry!

Randy: Oh, that’s right. Kirk and I stayed at Rose and Rick’s house (Poster Children).

Andy : And Annelies and I could not. We didn’t have a personal day to use.

Annelies: I don’t remember who drove, Did Dan (Annelies’ husband) drive? Did you drive?

Andy: I probably drove because I was a pretty resilient driver.

Annelies: Yeah, we were in the front and I was keeping you awake. I think Dan came with. He was with us, but I think he fell asleep in the back.

Andy: I probably volunteered because I used to love it. I’m trying to remember a show at this really shitty bar on Butler Street.

Kirk: Ken’s Bar.

Andy: It was Halloween and a guy that came to all our shows showed up in a Shitty Directions costume.

Randy: We asked people to come dressed as their favorite GAS song.

Annelies: Yeah, that was Jeff Samuels from The Hat Party.

Randy: Another odd show was with Edgar Allen Cash. Johnny Cash songs with Edgar Allen Poe lyrics. A giant was playing bass. Straight out of David Lynch.

Kirk: Yeah, at Quarters in Milwaukee. Quarters was f’ed up anyway. As far as shows where I feel like we killed it…I’ll never forget that Bomblastica show we did when we played the front room at The Annex. I felt like we shredded.

Randy: I remember Andy’s “last” show being awesome.

Andy: I was gaunt.

Annelies: You WERE gaunt.

Kirk: That was a mega-crowd.

Randy: I loved playing with The Suburbs at The Majestic. That was the three of us (when Andy was on hiatus). And the Isthmus Favorites show when we were outside on King Street with the Capitol in the background.

Annelies: The political stuff we did was cool during the Act 10 protests.

Andy: That was nice to come back for that, and what was also fun was playing Willy St. Fair.

Randy: We’ve done Willy St. four times I think. It’s like every three years we’ve done Willy St.

Andy: We went down one time to Cedar Falls to play at this place.

Kirk: Was that place The Reverb?

Randy: I think that’s right. I think our beer choice was cans of Schlitz. That was the free beer. And we stayed in a hotel just kind of across the parking lot that was kind of like the MLK murder hotel.

Annelies: Wasn’t it next to the methodone clinic? It was literally next to the methodone clinic.

Andy: We kicked ass at the Turf Club in St. Paul. And I know we kicked ass because the emo bands that came on after us weren’t talking to us too much. If you remember they weren’t that cordial. I mean we went up and we just shook ‘em a little. I felt like we shook ‘em that night.

Randy: There’s the infamous Union South show where I got so hammered on Maibock and we didn’t go on until 15 minutes before they were supposed to close, because all the bands that night played long because no one was stage managing.

Annelies: I met a guy who was in one of the bands that night. He was in Tycho One. It was so funny, I showed him the video.

Randy: Of us in the bowling alley and out in the hallway, making fun of the situation?

Annelies: Yeah, he thought it was hilarious. He was like, I mean who cares..

Kirk: He was probably like “I was just a dumb kid. I would have laughed at me too then.”

Annelies: And we weren’t laughing at his band in the video.

Randy: It wasn’t even any of the bands’ fault. It was just no one from the Union was stage managing to make it run like it was supposed to.

Annelies: That was back before there was The Sett and whatnot, it was just the triangular room with a friggin’ pop up stage.

Kirk: Now they run a tighter ship. I remember opening for Faux Jean there too. They were great.

Andy: That’s right. I remember talking to those guys and saying, “You guys have to come back and play a better venue. And I talked to them on the phone after that show a bunch of times. I was like c’mon, you guys gotta come down. And they were like “ehhh.” They weren’t into it.

Kirk: I found that guy, that artist from when we played the Stones Throw in Eau Claire.

Randy: David Blaine? The “outsider artist.”

Kirk: David Blaine. I found that guy’s business card somewhere.

Annelies: Take a picture of that. That needs to go in the archive.

Andy: What band did we play with at that show?

Kirk: The Paragraphs. They were a Milwaukee band. They wore the Nixon masks. They had a podium. They were fuckin’ great!

Andy laughs: Why don’t I remember that? It’s gone. It’s like I’ve had a lobotomy.

Annelies: There was so much that night. The whole night I was like, “What the hell is going on?” I just felt like I was in some weird movie or something.

Kirk: I loved playing there. It’s not the Stones Throw anymore, but they still have shows.

Andy: We should go back and play it. Why don’t we do that. We can tell them we’re from Germany again. We’ll say “These guys are a hot indie band from Germany.” Before you know it there’s gonna be some college kids in there.

Annelies: I was gonna say, after the 20th year we should just erase and pretend we’re new.

Andy: Yeah! This is a new band.

Kirk: Exactly. Just rebrand.

Annelies: How’d these guys get so good?

Andy: Wow, they’re old, but they’re good.

Fin

Next GAS show is at Turkeyfest Day 3, Sat Oct 14, Mickey’s Tavern.

Here is the hype: “Madison’s longest running power pop-punk outfit! They’ll be playing in rare and raw 3-piece mode for this show! Hot off a 20th anniversary show at High Noon that further cemented their reputation as excellent, hook heavy rock n roll with plenty of bite! Witty and wonky punk!!!
For fans of The Replacements, The Buzzcocks, X, The Pixies, Early Veruca Salt, GBV, ETC.”